Facebook Fantasy?

Last week Facebook went public. Mark got married and celebrated his 28th birthday. Today Facebook stock is down. I don’t think one or two days really tell the story but I wonder, like everyone else – where’s the money?

No doubt Facebook has a tremendous grasp on our attention. Many of us put many hours into it communicating with our many friends. It’s become a part of our lives. My own experience has been an on-and-off relationship with Facebook. Sometimes I’m just the giver – sharing what I am most proud of with my community along with silly things of no consequence, just to let friends know I know how. At other times, I become the voyeur, peeking into others lives, viewing what sometimes looks like personal conversations I was not invited to. Spying on their photo albums as if I am a part of their lives. I enjoy the easy access to my “friends’” world. I especially enjoy receiving text messages sent to my phone on their latest updates. It makes me feel like they want me to know  – even if they never know that I knew. I COMMENT at times to keep the conversation going. I LIKE when I actually DO appreciate a comment – and understand it. And mostly, I just look, thinking they don’t even know I’m watching.

What I don’t do is buy. Truth is, I have invested in advertising with Facebook from time to time but I can’t say I’ve much to show for it. Unlike Google, where I might actually be searching to make a purchase, Facebook is not my favorite shopping mall. Perhaps there are some subliminal advertisements that get my attention and result in a purchase I might not otherwise have made – I don’t know. But the advertiser wouldn’t either if I make my purchase outside the application.

And of course, there is the incredible data that Facebook accumulates. And the incredible privacy issues that it gets subjected to. I really don’t have that many secrets to keep and I’d just assume get the ads that are relevant to my life instead of the hit-and-miss marketing that seems to show up in my email daily – but that’s just me.

I liken Facebook, along with the other social media modes, to the telephone, which in 1876 was described as an “apparatus for transmitting vocal or other sounds telegraphically”. It’s a new mode of communication and one that has value. How that value becomes substantial income for the company is yet to be seen.

I value Facebook and believe their existence is only the beginning of something amazing. What that is, my simple mind can’t yet fathom. Perhaps some readers have more insights than I do. Please share.

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Guest Blogger Pat Soberanis: Visual Media 012: More than Worth the Trip

Unveiled

UNVEILE April 26, 2012

I was glad I took the Amtrak train to the Visual Media 012conference, because a full-day pass made for an exhilarating if exhausting day.

Just like last year, the best feature of this conference is its intimate scale. Not only is there time and space for real conversations with exhibitors (as opposed to shouting matches at the huge conferences), you can ask plenty of questions of each presenter – and get to know your seatmates.

Visual Media Alliance (formerly Printing Industries of Northern California) took full advantage of this intimacy. Even the box-lunch hour was not wasted, with a seminar expert presiding over each table. You would have to be a VIP to have this kind of access at the large shows.

Although I was tempted to switch, with so many great topics to choose from, I stuck with the seminars I registered for, and they did not disappoint. The first, “Taking Photoshop to the Next Level,” by photographer Mark Lindsay, gave us one beefy tip after another, along with a peek at Photoshop 6, which Mark called a “strong upgrade.” Mark’s focus was productivity, so his first recommendations were to make more use of existing and custom keyboard shortcuts, and of actions, which he demonstrated. He also explained the mysteries of blending modes – Normal, Dissolve, Darken, Multiply, etc. – and showed easy ways to use the most powerful ones. I was so impressed I sat at his table during the Roundtable lunch, where I learned even more  productivity tips about Photoshop.

At the next session, cleverly titled “Decline of Creative Civilization as We Know It,” creative director Paul Bradshaw explained how we independent graphic designers can counter the trend toward “crowdsourcing” – that phenomenon where design buyers post a project proposal, and designers around the world submit their designs for consideration. The problem: only the “winning” designer gets paid – and not much – and everyone else has basically worked for free. Bradshaw’s response is to “do great work” – and to get your clients to do the selling for you through old-fashioned word of mouth. The room was small enough that Bradshaw had us introduce ourselves, and the very young guy sitting next to me worked at Apple in HR. He took notes on his iPad using a tablet pen, and told me later that the app he liked was Paper by Studio 53. It has a beautiful interface and lets you paint and draw too. Another bonus.

The after-lunch keynote speaker, venture capitalist/angel investor Gil Penchina, provided an interesting glimpse into his world, where for every Instagram – which Facebook just bought for $1 billion – there are hundreds if not thousands of startups scraping by even after a round or two of very modest funding. Still, he encouraged us to “start something” and contact him with ideas.

Gil was introduced by new-gen magicians Leeman Parker and David Blatter, whose expert patter and amazing sleight of hand were reminiscent of Penn and Teller. Keep an eye on these two; their next big show is at the Hollywood Fringe Fest in June.

My afternoon session, “Social Signals in Search,” with online marketer John Thyfault, was a thorough walk-through of the ways search engines are using social media activity in its ranking algorithms. As good as it was, for this writer, it was also a little depressing to learn how much content you have to give away for free to build a following – and how much social media has become a popularity contest.

I was late to the small but packed room for Steve Decker’s entertaining “Marketing Case Study,” where he described how his Zooka Creative recruited 2,000 “mommy bloggers” to try out and talk about a new Purex fabric softener – just one innovative piece of a print-multimedia-social media product launch Zooka created and produced. It was so wildly successful and well done that it won an Effie Award this year, alongside giant ad agencies (find out more and download the case study). Steve gave us a big bonus by explaining Facebook’s new EdgeRank algorithm (do a Google search to find out more), which determines which friends and page posts show up in users’ news feeds – and why some never show up at all.

I was late to Steve’s session because I made a quick round of the Expo’s exhibitors’ tables. Adobe wasn’t there at all this year – in fact, a number of last year’s exhibitors weren’t at this year’s event – but I visited each booth with a new purpose, as a soon-to-be designer and print buyer myself. Each of these exhibitors are potential vendors, so it was helpful to learn their specialties.

The beautifully designed and produced Sappi Standard books and marketing booklets went fast, but I got a full collection to show my classmates next week. At one of the morning sessions, Sappi executive Daniel Dejan explained how the incredible Standard #5 was produced. I couldn’t attend, but I can find out more on Sappi’s website, where you can also download most issues of the Standard.

I also ran into a colleague from my freelance days, Rita Amladi, now with Rods and Cones, a color management and digital-asset specialist for large companies. Rita was the awesome Photoshop Product Specialist for Photoshop 3 at Adobe when I revised and copyedited Adobe Press Production Essentials. I could always count on her deep knowledge and articulate responsiveness whenever I had questions.

What impressed me most – besides the amazing paper samples and Sappi booklet designs – was the quality of the latest digital printing technologies. I picked up some samples that are every bit as detailed as offset prints. As with the business cards that TC Printing made for me, only a very experienced eye could tell the difference.

What also impressed me Visual Media Alliance itself, and how robust its network is, how current it is, how reasonable the $75 annual dues are, and how many resources it offers its members – which soon will include me. Then I’ll get a print copy of its Resource Guide, access to group health insurance, discounts on webinars and online classes, and news that will connect me with other members, even here in Sacramento. I hope more designers learn about VMA and its annual conference so it can thrive once again.

See Pats Blog

What’s a trade show for anyway?

Business conference, trade show, industry event, whatever you call it, taking the time from your busy workday to feed your brain, inspire your creativity or meet your colleagues often seems self-indulgent. But I ask you – is it really?

Yes, I have ulterior motives for this post. Visual Media Alliance’s annual conference is next Thursday, April 26 in San Francisco! Called “Unveiled”, it will focus on the magic of design and marketing technology. People have been telling us all year how they look forward to this event. When they saw the programming they were inspired by the breath and relevancy of the subject matter and anxious to get updated on all the quickly evolving technologies available for marketers, designers, and communicators of all sorts.

It’s about this time every year that we ask the question: Will we have enough space? Did we select the right speakers? Exhibitor? Location? Date?

Have you looked at the line up? Does it resonate for you? Have you figured out how to convince your boss (even if it’s you) that the one-day investment will be paid back quickly with inspired creativity, new perspectives, productivity and knowledge? So what if you have a good time along the way. That’s one of the tricks of a great education – making it fun!

Please share your thoughts and join us next week. www.visualmedia012.com

Augmented Reality And The Print Industry

by Lester Madden, Augmented Planet

Once in a while I get the odd augmented reality goody. Never a shiny new device from Apple or Google begging me to test their latest offering, but still the odd package works its way through the post.

Sappi Standard

Sappi Standard

This week the mail man brought me the Sappi Guide to Design and Print known as The Standard. The guide is a very well designed book aimed at designers and how they can include special effects in their printed works. The company behind the guide, Sappi bill themselves as a fine print company who have embraced both technology and augmented reality world.

Before I get to the augmented reality stuff, I have to say the book from Sappi is amazing. Each page in the guide focuses on a different type of special effect you can achieve with various printing techniques. This includes holograms and textured paper that enable you to feel a picture. One example of textured paper is an image of a footprint in the sand. Touching the picture you can feel the grains of sand beneath your fingers which adds a new dimension to what you are seeing. You can download a copy of the guide from the Sappi website here, but nothing is a substitute for holding it in your hands.

Anyway enough of that, what makes the book interesting from our perspective is augmented reality. Here Sappi have teamed up with Metaio to create a junaio browser experience for mobile user and a desktop experience. Both campaigns focus on a super hero called Super Dude who appears in 3D when you present the page to either your webcam or your mobile devices camera. Once Super Dude has appeared your goal is to keep him clear of trains, dinosaurs and whatever else superheroes need to avoid.

Combining augmented reality and print gives readers a totally unique experience as we have seen before, but it’s good to see it being embraced by the print industry, especially when a campaign is aimed at both mobile and desktop users. For some reason a lot of designers think it’s one or the other.

–Daniel Dejan will be presenting Standard #5 at the VisualMedia 012 conference April 26, in San Francisco.